Case Studies
Case Studies: Stories Carved in Timber
Welcome to my Case Studies page — a place where I share the stories behind some of my favourite sculptures. Each carving began as a tree with its own character and history. Through my work, I try to reveal that story — whether it’s a public landmark, a commercial commission, or a private piece that means something deeply personal to the owner.
Every project challenges me to look at a piece of timber and imagine what’s waiting inside. What you’ll see here isn’t just chainsaw carving; it’s transformation, where concept, craft, and character meet in wood.
Vanquis Advert
Home is Where the Art is
Game of Thrones
Dragon of Bethesda
The Giant Hand Of Vyrnwy
The Monks Of Monksbridge
Steak of the Art
Viking Raid
Spirit of Ecstasy
Meadow Park Sculpture Trail
The Guardian
Batman
Why I Share These Stories
I’ve always believed that art should be transparent — both in process and purpose. My case studies exist to offer inspiration and insight into the journey that each sculpture takes. They show how an idea becomes reality, from the first pencil sketch to the final polish on the finished piece. By sharing these stories, I hope to demystify the process and give you a clear understanding of how bespoke wood sculptures come to life. Each example includes details about the background, creative challenges, and even guide prices, so you can better understand the time, materials, and care involved.
Most importantly, these stories celebrate collaboration — between myself, the client, and the wood itself. Every commission begins with a conversation and evolves into a partnership between vision and material. If you’ve been searching for a chainsaw carving in the UK, wood sculpture, or timber art installation, you’ll find plenty of real examples here that show what’s possible when we work together.
Highlights from My Work
Over the years, I’ve had the privilege of working on some truly memorable projects. One of the most recognised is The Giant Hand of Vyrnwy, a towering 50-foot tree stump transformed into a symbol of renewal and strength. Another favourite is The Dragon of Bethesda, carved from a 30-inch-wide oak branch into a fierce Welsh dragon that now stands as a local landmark. I also had the pleasure of carving The Spirit of Ecstasy, a 17-foot-tall interpretation of the iconic Rolls-Royce emblem, blending natural grace with sculptural precision.
Other highlights include The Monks of Monksbridge, six life-size figures carved for a private garden to bring medieval history to life, and the Meadow Park Sculpture Trail, a community project featuring nine sculptures designed to engage visitors and celebrate nature. The Steak of the Art restaurant project allowed me to merge function and form by creating interior carvings where diners could literally sit within the artwork. And as part of the official Game of Thrones campaign, I was one of several artists commissioned to create carvings from trees used in the show’s filming — an unforgettable experience that combined fantasy and craftsmanship in one.
Each of these sculptures began with a simple idea and grew into something that told a story only that particular piece of timber could express.
My Process
Every sculpture starts with listening. I begin each project by talking with the client to understand what the artwork should say — who it’s for, where it will live, and what emotion or story it needs to express. Once I understand the vision, I create sketches and evaluate the wood. Sometimes it’s a standing stump on site; other times I’ll source the right piece of timber for the project. Every tree has its own voice, and I let that shape the design.
When carving begins, I use a mix of chainsaws for the broad shapes and hand tools for the finer details. The process demands both power and patience — balancing precision with the raw energy of the saw. Whether I’m carving in a forest, a public park, or my workshop, I’m always mindful of sustainability, safety, and respect for the material. The final stage is installation and finishing, when the sculpture finally connects with its setting and audience. I treat and seal every piece for durability, ensuring it stands strong against weather and time, while keeping the wood’s natural beauty intact.
Commissioning a Sculpture
If you’re inspired by what you see here, I’d love to discuss your ideas. Commissioning a sculpture isn’t complicated — it’s simply the start of a conversation. We’ll talk about your vision, your site, and your budget, and from there I’ll suggest design ideas and sketch out options. Once you’re happy with the concept and the guide price, I begin carving — either on site or in my workshop, depending on the project. When the work is complete, I deliver and install the finished piece so it’s ready to take pride of place in its new home.
Every commission is unique. Each one reflects the character of the wood, the spirit of its surroundings, and the story of the person who commissioned it. No two sculptures are ever the same — and that’s what makes each project so rewarding.
Why Work With Me
I combine artistic training with over two decades of experience as a chainsaw carving artist. My background in illustration and fine art shapes every sculpture I create, giving each piece depth, balance, and emotion. Every commission is bespoke, carefully designed to suit its environment and purpose.
Over the years, I’ve created work for television, public parks, heritage sites, and private gardens across the UK and beyond. My goal is always to craft something that feels alive — a sculpture that stirs emotion and connection every time you see it.
Commissioning a Sculpture
Thank you for taking the time to explore my case studies. I hope these stories give you a sense of what’s possible when creativity and craftsmanship come together. If you have a tree that deserves a second life, or an idea you’d love to see carved into reality, I’d be delighted to help bring it to life.
Visit my Contact page to get in touch.